Why Joe Pesci Loves Gold Timepieces But Can’t Stand Switzerland

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Joe Pesci would rather be drowned in a vat of Robert DeNiro’s sweat than have to step foot again in any part of Switzerland.

The actor and I sat down to discuss why gold nugget jewelry will be making a huge comeback and why the “mob” is growing in cities like Gary, Indiana.

 

 

Gotcha.

 

Happy April Fool’s Day.

“And the Winner Is…” Oscar Nominated Best Picture Films and the 2019 SIHH Novelties That Match Them

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The 91st annual Academy Awards may have no host, but what it lacks in good judgement from a show standpoint, it makes up for in its choices for Best Picture. This year’s pool of Oscar-nominated films is the finest and most diverse group the Academy has selected in years, in my opinion. From a superhero smash hit with a predominantly black cast, to a Netflix original about life in the early seventies in Mexico City, to the number of biographical films addressing sexual identities, the Academy – while not perfect – is slowly recognizing the beauty in our differences, and thankfully, the watch world is starting to do the same.

To celebrate this year’s Academy Award Best Picture nominees, I decided to associate each of them with a new release from watch brands that exhibited at the 2019 edition of the Salon International de la Haute Horlogerie (SIHH) in Geneva this past January. And while you might be sarcastically thinking, “Great, another article about the SIHH”, just know I’m thinking “Great, another a**hole who wants to judge a piece of writing without reading it” in response. So, if you care to read a post about this year’s novelties that’s slightly different than what you’ve read already, carry on. If not, there are a butt-ton of other watch blogs out there to which you can geek out. Cheers!

BlacKkKlansman: Okay, I’m going to go ahead and write about this movie first because it was the most difficult to associate with a watch and feel like I did so respectfully. I’m Caucasian, so there really isn’t a way for me to think like someone who isn’t, which, I feel is part of society’s problem. As a person who grew up on the border of “white and black” West Philly in the seventies and eighties, and then who moved to the projects of South Philly for the rest of my teenage life, I’m probably more aware of racism than many of my white friends, so when I see a “Black Lives Matter” sign in the yards of white people, I often think to myself, “Is this really what black people want to see? Advertising by whites that we support them? Or would they rather we, as a race, just shut up and listen to what they have to say so that we can learn and change?” The reality is, we, as white people, will never understand what it’s like to be pre-judged or to be labeled because of what we look like, and honestly, we shouldn’t act like we do.

BlacKkKlansman is based on a true story of a black officer by the name of Ron Stallworth who infiltrated the KKK and aided in arresting racist members of the police in Colorado the 1970s. Think about that for a moment. He was a black man in the seventies, and without knowing anything about him, people judged him because of what he looked like. As far as picking a watch that I could be associated with that feeling, I struggled. I first thought about the color – black. I could go with any number of PVD coated releases, but to simply pick a watch that was black seemed lazy on my part. Then after speaking to a good friend who is also a watch writer, I thought maybe I’d go the route of an independent watch brand; a brand that released a watch that was unexpected, which, I thought was a good idea at first, but when I looked at the makers, I felt like I couldn’t find a good fit. That’s when it hit me. Which brand came into the SIHH with a release that was already hated ahead of it even being seen? There was only one answer: Code 11.59 by Audemars Piguet.

I’ll admit that I, too, was a bit surprised when I first laid eyes on the design in pictures. And even after seeing it – albeit briefly – in Geneva at the SIHH, I was still unsure of how exactly I felt about it. But then in Miami, at this year’s Watches & Wonders, I got to spend some solid time with the watches, and after learning more about the process with which it was made through people like Michael Friedman and Paul Lerner, I found myself feeling guilty that I hadn’t given it the chance it deserved. The selection pictured contains the self-winding AP caliber 4302 which has a minimum 70-hour power reserve, contains 32 jewels, is water-resistant to 30 meters, has a black lacquered dial with 18K pink gold hands and hour markers, a hand-stitched alligator strap, and is 41mm in diameter with a glare proof sapphire crystal case back. You may not like the outward design, but you cannot argue that what’s inside many of the editions of the new Code 11.59 doesn’t get the job done. And for those who haven’t seen it up close, I recommend waiting to voice your negative – or any – opinions until you do.

Vice: While this politically-charged flick starring Christian Bale and Amy Adams is based on the rise of former Vice President Dick Cheney (emphasis on Dick – yeah, I went there), the word “vice” can also have a different meaning, as many of us know. While “vice” as a noun can be defined as “immoral or wicked behavior” it can also mean something which constitutes as a bad habit, like smoking, or drinking, or even, eating things that aren’t good for you. You know… things like candy.

The Richard MilleFraise” from their recently released and much discussed Bonbon collection is a watch that could be seen as having many vices. For one, its dial is made up of a cornucopia of sweet treats which were meticulously crafted and placed on the dial by hand. If there is another vice that has to do with Richard Mille watches, however, it could be seen in the sheer ownership of them, or at least, to the spouses or partners of those who may collect them. While the Fraise version has a roughly 55-hour power reserve, automatic winding RM 16-01 caliber movement, and is water resistant to 30 meters, it does indeed come with a $132,500.00 price tag, which may not be as sweet to some as others (but let’s face it, that price is still probably much sweeter than Dick Cheney could ever be).

The Favourite: We all have our favourites (or, in America, our “favorites”), do we not? In this early 18th century period piece about Queen Anne, her somewhat sinister lesbian lover, and that lover’s somewhat sinister cousin Abigail, we are treated to a black comedy (sprinkled with a touch of drama) that not only pleases the vixen in all of us, but also somewhat tugs at our heartstrings. We each have an angel and a devil on our shoulders. We’re all prone to seek out the thrill of the occasional evil while knowing full well it’s the good in us that will prevail in the end. Our hearts can sometimes be split in two; whether that be because of our decisions about right and wrong, or – as in the case with this film – because of our feelings of desire for more than one person, or even, one gender.

It was these reasons that made my decision to associate the Vacheron Constantin Traditionnelle Twin Beat with this Academy Award nominated film. Well, these reasons as well as the fact that this watch was, hands down, my favorite (or, “favourite”) of all of this year’s releases at the SIHH. What can I say about the Twin Beat that hasn’t already been said by the multitude of ROWPs (that’s, “Reputable Online Watch Publications” for those of you who didn’t attend my panel at last year’s Horology Forum in London) who’ve reviewed the watch already? For a person like me (meaning, a “watch enthusiast-in-training”), the Twin Beat gave me something to be excited about (particularly its 65 days of power reserve on standby mode). It ignited my senses in a way no other watch has done thus far in 2019 because – bells and whistles aside – it is a watch so unlike anything Vacheron Constantin has produced up to this point, and that, alone, makes it the winning duck. #ifyouknowyouknow

Green Book: 2019 was certainly the year for biographical movies and Green Book is no exception. Based on African-American classical and jazz musician Don Shirley’s trip through the Deep South with an Italian night club bouncer as his bodyguard, the film has received rave reviews with regard to the lead performances by Mahershala Ali and Viggo Mortensen (or as I know them best, Boggs from The Hunger Games and Aragorn from the greatest trilogy ever made). Don Shirley was a musician unlike most Americans had seen in the 1950s and 1960s. He was a black man playing classical music, who experimented with jazz, composed and wrote symphonies, and even created a one-act opera. He was highly respected for his talents but the color of his skin – along with his sexual preferences – made him a bit of a disruption once he stepped foot off the stage. Yet even with the threats he received, often by people in power, Shirley continued to do what he knew he did best: play his music.

For this movie’s associated watch, I’ve chosen the Endeavour Tourbillon Concept Cosmic Green by H. Moser & Cie for a handful of reasons. One, its name. An endeavour is defined (in its form as a noun) as an attempt at achieving a goal, which Don Shirley set out to do when he toured the Midwest and the South. But the color of this watch – the Cosmic Green – also reflects the color of the travel guide written for black motorists after which the film is named. To not also state I selected a watch by a brand that tends to make enemies for themselves and is occasionally accused of being disruptive would be misleading, so, there’s that, too. But I also chose it because – full disclosure – I just really like the watch. It has a beautiful sunburst-patterned dial, is a perfect size at 42mm in diameter, contains the automatic caliber HMC 804 movement with bi-directional pawl winding system and a minimum 3-day power reserve, and is accompanied by a gorgeous hand-stitched tan leather strap. I dig it. And I bet the boys in the car headed South would have dug it, too.

Bohemian Rhapsody: As stated previously, this was the year for films based on real people with real struggles, and this flick about Queen front man and music icon Freddie Mercury is no exception. The film follows his career from its beginning to his memorable performance at Live Aid in 1985 (and yes, I’m old enough to remember that performance [insert crying emoji here]) as well as his sometimes controversial path to finding his identity through his desires and relationships both sexually and otherwise.

The art of Milo Manara has, at times, also caused controversy. His erotic works have sometimes been seen as sexualizing women, and I can’t totally argue with that. But while, in certain circumstances, like his drawing of Spider-Woman climbing a roof in a clearly sexual way, in the case of this year’s Ulysse Nardin Erotic timepieces, I found his work to be quite beautiful, and even, a bit bohemian.

The limited-edition watches tell the story of a woman, the sea, its creatures, and a mermaid lover. In them, Manara is able to show off his ability to draw women in the throes of passion, yet with these watches, it is the mermaid who is the one pleasuring another woman orally. Oh, and this watch tells time, too. Just in case you stopped sweating enough to care. The end.

Black Panther: OH THANK YOU, DEITY! We finally have a superhero movie nominated for Best Picture at the Academy Awards! And what a movie, it is. If you haven’t seen Black Panther, please do. I don’t care if you’re the kind of person who only watches indie flicks at vintage cinemas through your Warby Parker’s while eating kale chips and drinking amaretto sours in lieu of scarfing down popcorn and Coca-Cola (by the way, if you are that person, I kind of hate you), you will still like this movie. And Angela Bassett is in it. And she’s awesome in everything. And it’s on Netflix right now. So go, hipster person. Go now and enlighten yourself. Give yourself up to the Marvel Universe and all of its action-adventure, big box office goodness. WAKANDAAAAAAAAAAA FOREVERRRRRRRRRRR!!!!!!

Oh, wait, I almost forgot I had to pick a watch for this movie. I mean, it’s a bit *on the nose*, but how could I not go with the Panthère Dentelle watch by Cartier? OBVS, right? Plus, I haven’t really selected a women’s watch for any of the choices thus far so this works perfectly for that reason alone. The Panthère Dentelle pictured here is stunning in person. It measures 36mm in diameter and comes with a beautiful glossy black alligator strap, but the signature cat on the dial is what pulls the onlooker in. The emerald eyes and 480 round brilliant cut white diamonds pop against the black lacquer spots, and the watch is water resistant to 30 meters just in case one should find themselves spilling their mineral water packaged in eco-friendly carboard at the movie theatre.

Roma: This was also a difficult movie with which to associate any watch, let alone a release from this year. Next to BlacKkKlansman, this was the hardest to depict through something material because the movie is so real, and the story, so vivid and so multi-faceted; sad and joyful in so many ways. Roma is about the life of an indigenous live-in housekeeper and her family and friends in a small neighborhood in Mexico City, but largely, it’s about the daily struggles with which she copes. They are, from the outsider’s point of view, not unlike some struggles of the poor in America, and yet they can also be seen as worlds apart because being poor in America and being poor in some of the violent parts of Mexico are clearly not the same thing.

For this movie, I’m associating the HYT H0 ‘Time is Precious’. The broken mirror-like shards of the watch’s façade remind the wearer that things don’t always look the same, and that something can be seen in a variety of ways, depending on the day, the light, the person’s feelings, or even the time, which, as HYT often reminds us, is fluid. I see this watch and I’m reminded of how quickly life and the circumstances in one’s life can change, and the ‘Time is Precious’ association is as true to that life as it is to the film with which I’ve associated this watch.

A Star is Born: Last but not least… Honestly, I loathe that cliché but hell, what else am I going to say after almost 3000 words? I mean, we’re far from the shallow now, amiright? So, this is one of the more talked about movies of the group for obvious reasons. For one, Bradley Cooper sings… like, actually sings… and he does so while looking amazingly rugged, emotionally fragile, and yet still madly in love with the woman to whom he sings. And she – as we know – represents the majority of us who feel self-conscious about our talents or how we look physically, largely because of what people have told us our entire lives. It is not the first time this story has been depicted on the big screen. This is the fourth time this film has been made with the first being in 1937 and having a script co-written by the inimitable Dorothy Parker. But this is the first time the film has been released in the age of the internet and social media, which has only added to its popularity and the adoration of its lead actors.

There were a couple of watch choices I thought might work well with this movie (and no, sorry, Bradley, none of them was an IWC) but I also had to look at how those watches were perceived by the media or public, in general, after their releases at the SIHH. The watch I decided on was certainly one that I felt found stardom this year: the Arceau L’Heure De La Lune by Hermès. In a similar way that director Bradley Cooper took this age old-story and breathed new life into it by changing how the story was perceived, Hermès takes the idea of the traditional moon phase watch and deconstructs it, using two fixed mother-of-pearl moons (against a star-like aventurine backdrop) showing the Southern and Northern hemispheres represented by the words “sud” and “nord”, while two white lacquer dials – one indicating the hours and minutes and the other the date – hover over the moons while rotating around the dial so that they cover and uncover them according to whatever the current moon phase might be. The watch also contains the Hermès caliber H1837 self-winding movement, measures 43mm in diameter, and is water resistant to 30 meters because you may cry on it when you see this movie or maybe even when you see just how beautiful this watch is.

That’s all, kids. Grab your wine, whiskey, and more wine and be sure to follow me over on the Twitter (@whatsonherwrist and @adornmentality) as I’ll be live-tweeting tonight’s Oscars’ red carpet.

Long live Awards Shows!

Time’s Grand Hall: History Meets Horology at the 2018 Edition of WatchTime New York

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What is it about the human desire to be around things that are old? Think about it. We scour antique stores searching for tabletop trinkets made in Transylvania. We hit our local estate sales with the same enthusiasm as a minor league player stepping up to the plate for the very first time. And we’re even happy to buy watches from retail shops that have a layer of dust on their shelves thicker than the Spring issue of Vogue. To us, old can mean established. It can represent wisdom, or endurance, or even reliability. Old means something of substance stood the test of time, which is why displaying time in a building as old as Gotham Hall is as fitting as it is festive.

It could very well be coincidence that the organizers of WatchTime New York chose this curious venue – the former Greenwich Savings Bank building, completed in 1924 – to hold their fair, or it could be that the team did their research and saw the tie-in with time. Greenwich is not just a village in New York City. As we all know (or should know), Greenwich is the area near London which in 1884 was assigned the line of 0 degrees longitude. It is from this point, all terrestrial longitudes are measured, and the world’s time zones are calculated. GMT, also known as Greenwich Mean Time, plays *the* essential role in modern timekeeping. “The whole world takes it’s time from Greenwich” is a line uttered by Dick Van Dyke’s character Bert in the 1964 musical Mary Poppins, and for many a New York-based collector, enthusiast, and watch journalist, the weekend of October 26th, 2018 meant exactly that.

Pregame Festivities

While not an established entity, per se, the days leading up to WatchTime New York have unofficially been dubbed “New York Watch Week” because of the multitude of events and gatherings thrown by brands and retailers, alike.

When an affair such as this is able to gather watch personalities such as Romain Gauthier, Fiona Krüger, Stephen Forsey, Montblanc’s Davide Cerrato, and others in one place at one time, the main event is bound to grow legs, which frankly, is a good thing for the future of the watch industry. Think of the pregame festivities as the watch world’s foreplay before the climax that is Watchtime New York. (Yes, I just drew an analogy between a watch fair and sex [just ask Stephen Forsey] because let’s face it, I can, and if not me, who?) And if WTNY is indeed the climax, then consider the weekly RedBar gathering on the Wednesday before as a solid attempt at reaching first base.

This year’s pre-WTNY RedBar brought in faces seldom seen this side of the pond, with one face in particular being a complete New York newbie: Rexhep Rexhepi, who was going to be showing his creations at the WatchTime show for the first time. Like most human beings who’ve visited New York as a Big Apple virgin, Rexhep was smitten. “Everyone has been so nice” he said, and I thanked my lucky stars he hadn’t yet visited Brooklyn before making that statement.

Attendees of Wednesday’s RedBar were treated to another surprise… a guest appearance by watch connoisseur, artist, and actor, Aldis Hodge, who for some reason, willingly stayed until “closing ceremonies”, giving those in attendance a line we won’t soon forget: “Wow, this looks like all kinds of bad decisions.” Indeed it was, Aldis. Indeed… it… was.

The Main Event

As with previous editions of WTNY, this year’s fair also included a variety of seminars and talks in order to further the horological education of those in attendance. The talks included a discussion on the future of watch collecting, a panel with American watchmakers and designers, and an opportunity to meet and ask questions of some of the independent watchmakers mentioned earlier in this post.

What was also refreshing to see with regard to WatchTime New York, was just how many women were in attendance, whether they be running the show (women like Sara Orlando, Minda Larsen, and Ana Martins are largely responsible for keeping this thing going), attending the show as collectors, working the show as watchmakers (shout out to my homegirl Nat at Jaeger-LeCoultre!) or exhibitors, or covering it as members of the press. It felt as if this year saw a real increase in women attendees which will hopefully nudge the big brands even more to pay attention to those often forgotten in the past.

But the biggest takeaway from WatchTime New York that any person with a pulse could summon is that they directly reach the often unreachable: the everyday buyer. Is it an event that welcomes serious watch collectors? Sure, but collectors aren’t the only buyers in the marketplace. WTNY is open to the public for a minimal ticket price, which means the average Joe/Joanne can attend and not be afraid to ask questions, unlike if they stepped foot into a high-end watch retailer. Look, I’m only as successful (sort of) as I am because I am able to reach the people who are novices; because I have been able to learn about this business while taking my reader along with me for the ride. Not every reader out there is schooled in horology, nor do many of them even know what a flying tourbillon is (or care), so to have a trade fair that is inclusive to both the dilletantes as well as the novices is important to the future of this industry, and Watchtime New York accomplishes this task successfully and has so year after year.

So, kudos to the organizers for another great event. Hopefully New York will become a force to be reckoned with in the very near future as it pertains to the worldwide watch industry, and with Baselworld going through the changes it currently is, the future looks about as bright in New York City as a big, shiny apple. (The fruit. Not the wannabe watch.)

(Images provided by WatchTime New York)

 

“Time Present and Time Past”: London’s Horology Forum and the Wondrous World of Watchmaking

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“If all time is eternally present/All time is unredeemable.”

The above lines were taken from the “Burnt Norton” poem in T.S. Eliot’s famed works, The Four Quartets. And while many refer to the poet as being an American because he was born in St. Louis, Eliot had technically renounced his United States citizenship in 1927 after legally becoming a British subject. Despite what was written on his 1888 birth certificate, Eliot considered himself to be quite the Englishman until the day of his death in 1965, and it is widely known that the poet lived his life obsessed with a single primary concept…

Time.

The first international Horology Forum took place on September 11th and 12th in the heart of London. The event – the brainchild of the creators of Dubai Watch Week and co-sponsored by Christie’s auction house – invited experts and novices alike to attend a series of thought-provoking panels and take part in free-flowing discussions in order to “bridge the widening generation gap between tradition and innovation,” according to the forum’s organizers. In other words, a slew of folks from all over the world gathered in the city where T.S. Eliot took his final breaths and likely closed the book on his obsession with time.

The forum itself consisted of five panels (Battle of the Soothsayers; Cultural Clout – the iBuyer Cult; The British Watch Industry: Colonizing Greenwich Meridian; When David Clocks Goliath; and, Genta and Daniels’ Punctual Yet Untimely Legacy), and one good ol’ fashioned British roast (which actually turned out to be a bit more of a ‘warming’ due to the very British politeness of those on the panel).

As an honored invitee to the event and guest moderator for the iBuyer Cult panel, I was treated not only to the experience of listening to and learning from speakers such as Peter Speake-Marin, Mohammed Abdulmagied Seddiqi, Fabrizio Buonamassa, Grégory Dourde, Christine Hutter, and Roger Smith, but was also able to take part in additional events such as a fascinating seminar at Christie’s Late on

iBuyer Cult panel (picture by Dubai Watch Week)

how color plays a major role in watchmaking (and always has throughout history), and an auctioneer training class that happened prior to Wednesday’s first panel discussion. Members of the press were also given the opportunity to interview the speakers and the moderators, allowing me to take full advantage of one-on-one time with H. Moser & Cie CEO Edouard Meylan, actor and watch designer Aldis Hodge, and Christie’s SVP and International Head of Watches John Reardon.

Mr. Reardon told me about his first experience with mechanical watches. “I will share a story today I never shared before,” he said to me when we first sat down for his interview, “because I’m inspired by the Princess Leia sticker you have on your computer. When I was six or seven years old, my parents, for Christmas, gave me a Buck Rodgers plastic watch. I was obsessed with sci-fi things as a child. It was a mechanical watch with plastic gears, and they were all different colors. I still have it to this day, and it still doesn’t work, because the first thing I did was take it apart. I was curious, ‘how does this little machine work?’ so I took it apart and tried to put it back together. I was inspired and curious as to how these little objects tell time, from a little kid’s perspective.”

Aldis Hodge (picture by Alan Hart)

Mr. Hodge also allowed me to take a glimpse into his childhood, to where his passion for watches and watch design began. “I love natural elements. I had a scientific mind when I was younger; I always wanted to be an engineer of some sort. For me, [getting into watchmaking] is a staple of achievement because I’ve been an actor since I was 2 or 3 years old. I would have had to quit that entirely in order to achieve my academic desires, but with watchmaking, that sort of encompasses art, architecture, engineering, and science.”

My conversation with Mr. Meylan delved more into his thoughts on the changes occurring in Basel, his company’s presence there, and which markets around the world he sees as becoming key players in the success of his brand. “Right now, for us, our two biggest markets are Asia and Europe, with Hong Kong and Switzerland being substantial. Germany and France are also good markets for us in Europe. But the two markets where we are seeing the strongest growth are definitely the Middle East and the United States. My brother just moved to Dubai, actually. We opened an office there, and the brand is really doing well.”

What Horology Forum and Dubai Watch Week succeed at accomplishing, where some other horologically-themed events falter, is invoking discussions that are current and relevant, and which are also hot topics often able to be intelligently debated. The panel I moderated is a perfect example of this. When I asked Scottish watch designer Fiona Krüger if there was a time when a watch world dilettante ever commented on one of her designs via the internet, she said that they had and proceeded to give an example of a remark made on her most recent watch release, the Chaos Mechanical Entropy. “One of the examples I got online was, ‘somebody take her computer away’ to which my reaction was, ‘I’m sorry mate, but I draw everything by hand in a sketch book, so, unlucky for you.’” We eventually moved the panel in the direction of influencers – particularly on social media – and whether or not the term is seen as a “dirty word” in the horological world. Watch brand D1 Milano’s founder Dario Spallone was the first to offer an opinion. “For me, an influencer is someone who influences the purchasing habit of the consumer. It’s not only about being an Instagram influencer. It’s also about being someone who – in real life – intertwines with the brand’s values.” And while discussion and debate happened naturally during each of Horology Forum’s panels, it was the eventual audience participation that left many wanting more. This is where the beauty of this event truly blooms into something spectacular, and this is why it’s incredibly important to gather people from every area of the watch world – be they designer, watchmaker, savant, collector, journalist, blogger, executive, retailer, or novice – in order to better understand our industry. What we, as attendees of Horology Forum and Dubai Watch Week, get to experience is the horological world through someone else’s eyes. We get to look at how the masters see their life’s work, at how artists are inspired, at what writers find interesting, and at what retailers do to speak to their customers. If every industry – heck, if every government – held an event yearly like this, we’d likely find that we’d see one another in a different way, and that we’d understand each other or, at bare minimum, hear each other out. I doubt that everything discussed at Horology Forum was agreed upon by all those in attendance, but it also wasn’t supposed to be. The event was created to make us think, at least in my opinion it was, and it certainly made me think long and hard about why I chose to write about watches and how I’ll see them in the future.

Panel on British Watchmaking (picture by DWW)

My days spent in London leading up to and including this event were invaluable. Listening to the stories about Gérald Genta and the “rebirth” of British watchmaking were indispensable. And gaining the knowledge I did while still a rookie in the world of watch journalism was, well, irreplaceable. But mostly, the entire experience is one that will remain truly unforgettable.

The final experience we had as a collective group was a beautifully arranged dinner at Boulestin, courtesy of our hosts. There, we were invited to relax in the company of our peers, sip fine wine and eat delicious French fare before saying our final goodbyes and heading off to our little corners of the Earth. It was a magnificent send-off filled with warmth and cheer, and I’m ever grateful to all of those who made it possible, and who also asked me to play such an important part in it.

So, to Melika Yazdjerdi – whom I had the pleasure of interviewing prior to this year’s Horology Forum – I congratulate you on a truly special, successful, one-of-a-kind experience. Your vision comes to life in this event, and we in the watch community owe you a debt of gratitude. To Hind Seddiqi and your entire team of AMAZING WOMEN, I cannot thank you enough. I have never felt so welcomed and so valued in the watch community as I had during this event. Thank you so, so much. To Shruti Dileep, what can I say? Thank you for being my “go-to” for everything; every question, every need, every worry. You’re the best. And to Dominique Mahoney, well, I feel like we were separated at birth, and I’ll just leave it at that. I cannot wait to work with you again someday. Thank you to John Reardon and those at Christie’s who helped to make this possible, and special thanks to everyone at Seddiqi Holdings who played a part in the organization and follow-through of Horology Forum.

iBuyer Cult panel in progress (picture by Alan Hart)

“I journeyed to London, to the timekept City/Where the River flows, with foreign flotations.” – T.S. Eliot, The Rock

A Roll of the Dice: The Story of My First Encounter with Jean-Claude Biver

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“The only way to break out is to gamble.” – Jerry Jones

Las Vegas, June 3rd, 2016.

Maybe it’s because I’ve been there for work about four or five billion times (or so I’ve felt). Maybe it’s because “fake” isn’t my thing, so the fake city, fake Eiffel Tower, fake cheekbones, fake sculptures, and fake fun doesn’t really appeal to me. Or, maybe it’s because paying $27 for a mediocre gin martini presented to me by an obsequious “mixologist” seems, oh, I don’t know, like something Dean Martin would be really pissed off about if he were alive today. But man, I REALLY hate Las Vegas. Hate hate it. Like, how my eight-year-old daughter hates green foods, or like how Canadians hate the word “hate” because let’s be honest, in their minds, it could just as easily be replaced by the word “like” in any sentence. But on this night, I found myself in Las Vegas, three months into writing this here watch blog, and two glasses of wine into the COUTURE Show opening party at the Wynn hotel, sponsored by none other than LVMH watch brand, TAG Heuer.

One doesn’t have to be a WIS to know the back story of Jean-Claude Biver; one simply has to be somewhat literate and hopefully have a pulse to be even vaguely aware of the watch world giant. By the time I made the decision to take my writing over to the watch side, I’d read my fair share of articles and heard my fair share of stories of the man who many describe still as “larger than life.”

I remember just having wrapped up a conversation with Scott Saunders of London Jewelers when Mr. Biver was introduced, before he graciously took the microphone as he stepped on to the COUTURE Show stage. His remarks seemed quaint to me at first; simple, and yet substantial. Everyone in the crowd stood still, patiently hanging on to JCB’s words which were becoming more intense by the second.

“ALL YOU NEED IS LOVE!” he finally exclaimed loudly into the mic, giving credit to the Beatles for a line that even the millennials in the room would recognize. Love. He was yelling about love. Here was a man so bold, and so recognized, and so successful, and he was talking to a room full of jewelry and watch people about a universal emotion as simple – and as complicated – as love. About the power of love. About the positivity of love. And about love’s effect on everything we do in our lives and every decision we make. “All you need… is love.”

By the time he left the stage, the room acted as if it had just witnessed a modern-day prophet perform a miracle for the ages. People were cheering so vehemently I wondered if Mr. Biver would actually come back out and sing “Freebird” while we all swayed and raised our cigarette lighters. It was astonishing to witness and awe-inspiring at the same time. I wanted to start hugging strangers in the room and tell them I loved them (but I didn’t because when you do that in Vegas, people get the wrong idea about what you actually do for a living). I was invigorated, and felt kind of… well, lucky… and when you’re feeling lucky in Vegas there’s really only one place to go…

THE CASINO.

Vegas was built for a reason, and that reason was money, and money alone. Gambling is the fabric used in the tattered quilt that blankets the city, and to go and not gamble even once seems almost sacrilegious, so I decided to head inside to the Wynn’s grand casino and take my chances at the tables.

The sounds of coins falling and bells ringing are synonymous with Vegas. The smell of a casino floor can’t be replicated – nor should it – as the lingering feelings of both hope and despair hang tauntingly in the recycled air. Yet as I strolled through the crowds of thirty-something bachelors and their nightly rent-a-dates toward the blackjack area, I could see a figure walking quickly toward me in the mix of what would appear to be an entourage.

It was The Prophet, himself: Mr. Jean-Claude Biver.

I’d never met him before, nor had I met anyone in the watch world who held a position such as his. I was new still, and green, and honestly, I didn’t know crap about the industry. But he was headed my way, and I knew that if I didn’t at least tell him that I liked his speech, I’d lose an opportunity I might never get again. But what happens if I stop him and he wants to talk watches? I can’t fake it! Vegas or not, I suck at bullshitting.

The more I thought about it, the closer he got, and when he had just walked past me, I idiotically blurted out his name.

“MONSIEUR BIVER!”

He turned toward me, almost startled, and his people turned too.

“I’m Barbara Palumbo. I write a watch blog called WhatsOnHerWrist. It’s sort of focused on women. I’m a fan though, and I saw your speech, and I just wanted to meet you.”

He smiled his wide, toothy smile as he walked back toward me and took my business card from my outstretched and slightly shaking hand, before reaching into his pocket and handing me his in return.

We spoke for a few minutes, once I calmed my nerves, and he told me to email him any time if I had any questions or needed anything. Then he shook my hand, and he and his people walked off into the desert night while I stood there staring at the plain white business card which bore his name.

Upon my return home to Atlanta, I wrote a recap of my experience at COUTUREtime and decided to take Mr. Biver up on his offer, so I emailed it to him, and to my surprise, received a reply within the hour:

“Hello Barbara, thank you for your email and article! I enjoyed reading it and could imagine you enjoying writing it. Hope to catch up with you soon.”

It was, for someone like me, a moment I won’t soon forget.

You see, I guess I’m still green. I like people who are nice to me; who take the time to mentor me, and do right by me, knowing that I’m in this to learn, and that no matter what happens, or what road bumps I hit, I’m not giving up. I like writing about brands who employ good people; positive people. I enjoy sharing their stories because this industry is about more than mere material possessions with a history. Watches ARE their people. Watches wouldn’t exist without their designers or their creators or their marketers or sellers or CEOs or those, like me, who tell their stories. And this simple moment – this gamble that I took in Vegas at the very beginning – put me on the right mental path, because it showed me that someone as important to the watch world as Jean-Claude Biver was willing to take the time and share a kind word of support with someone like me, who was just starting out.

So, to you, Mr. Biver, I say “cheers” today. Cheers on celebrating your 69th birthday, on celebrating forty extraordinary years doing what you seemingly love, and on deciding to take time for you in a different way than you had been recently. We know that you’re still around for those of us who have questions or need anything, but speaking for myself, you already gave me what it was I needed.

Thank you, sir. I guess that’s really all I wanted to say through this story. Merci.

 

Horology Takes Center Stage in London: an Interview with Melika Yazdjerdi

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Last November I had the privilege of being invited to attend my first ever Dubai Watch Week which I wrote about here on this very blogIt was unlike anything I’d experienced in the watch industry before; there were classes for things like enameling, engraving, and watchmaking. And there were presentations by big-named brands that were more intimate than those which occur at the trade shows. But the part that stood out most for me was the Horology Forum; a series of panel discussions covering a variety of topics and including an even wider variety of personalities and experts from a wide range of the watch world.

This year, in lieu of a complete program in Dubai, the organizers of Dubai Watch Week joined forces with Christie’s to bring the Horology Forum concept to London. I sat down this week with Melika Yazdjerdi — Director of Dubai Watch Week — to find out about the first edition of the International Horology Forum and if we can expect to see more editions in the future.

BP: So happy to be in London, Melika, and thank you so much for agreeing to this interview. When did the idea for the International Horology Forum first come to mind? Was it before or after the 2017 edition of Dubai Watch Week?

MY: When we developed the blueprint for Dubai Watch Week back in 2015, we wanted to create different programs with the goal that it would eventually evolve into a self-sustaining and independent horological entity. The Horology Forum is one of the key programs that drives the progression of Dubai Watch Week and we have been waiting for the right time to launch the first international chapter. The whole point of the Horology Forum was always to unite watch industry players from all around the globe with ease and in a casual manner. Like the nature of the free-flowing content of the Forum, the event is malleable and is not constricted to a location or time.

BP: Who are you hoping to see in attendance at the inaugural event taking place in London this September? Is it geared toward any one group in particular?

MY: We hope to see collectors, journalists and anyone with an appreciation for the art of time keeping. We also anticipate new collectors or novice enthusiasts interested in delving deeper into horology and meeting patrons of the industry. It is always important to reach new audiences or even old skeptics and bridge the ever-growing gap between the puritans and innovators.

BP: Was there a reason London, specifically, was chosen as the location for the International Horology Forum?

MY: It was a mutual decision between the Christie’s and the Dubai Watch Week team as London is an important horological market and has a rich heritage in the industry. A great number of collectors and watch enthusiasts as well as some prominent figures of the community are based there, which makes it the platform for the first international Horology Forum. London is also a centralized city, similar to Dubai’s demographic make up which is a great melting pot for us to cater to. Geographically, London is accessible to a majority of the members in the industry, marrying the European, Asian, and American markets.

BP: Do you have plans to have more Horology Forums take place in the future? If yes, would you consider alternate locations and how frequently would you like to see an International Horology Forum take place?

MY: The Horology Forum is an annual event and an integral part of the Dubai Watch Week programs. The aim is to have forum held every alternate year at Dubai Watch Week, and every other year abroad. As for its location, we do not plan on committing to a single destination internationally.

BP: What can attendees expect to experience at the first International Horology Forum that they would not experience elsewhere in the watch world?

MY: In addition to harvesting a relaxed and impactful environment for riveting discussions between our panelists, we are focusing on the revival of the British horological legacy.  Together with Christie’s, we are also organizing the first “Auctioneer Training” in the Horology Forum for the media, so that they can have firsthand experience in the art of auction sales. Furthermore, a new activity will be introduced this year called “The Roast” where audience members will ask the ‘Roast Panelists’ Carte Blanche questions to further enrich a genuine exchange of information and ideas.

BP: How did the partnership with Christie’s Auction House come to fruition for this event?

MY: Christie’s has been a principal supporter of Dubai Watch Week and has been a partner since the first edition of Dubai Watch Week. Each year, we develop and introduce new pioneering programs and initiatives with the aim to educate and preserve the rich heritage of the colorful horological history.

BP: Will Horology Forum be geared more toward watch collectors and watch experts, or will novices also benefit from being in attendance?

MY: The event is catered to everyone who understands and appreciates the art of horology.

BP: And lastly, when should we expect to hear more about the next edition of Dubai Watch Week?

MY: The 4th edition will be dedicated to showcasing the ingenuity and creativity of the industry, aptly themed, Innovation and Technology.  There is an astronomical amount of talent, skill, modernism, and dedication when it comes to the watch industry, and we would like to celebrate that aspect. We plan to share more details by the end of the year.

Many thanks to Melika Yazdjerdi for taking the time to share her thoughts with me about Horology Forum which starts tomorrow, September 11th, and runs through September 12th. You can find the complete list of panel discussion topics here.

Third Time’s a Charm: Five Perks and Positives of the Baselworld Fair

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It feels to me that Baselworld – the once raven-haired, blue-eyed star quarterback/student body president/drama club lead of the world’s watch and jewelry trade fairs – has recently been reduced to the smelly kid in class who brings tuna for lunch and occasionally chews his erasers. In other words, it’s become quite unpopular. And yet, many of us have been convinced that if we want to be successful in this industry, we need to get to know it better; to find the good in it, even if others don’t necessarily agree. And that’s exactly what I set out to do when I signed up for my third ever visit to the fair.

The City, Itself

This year I made the decision to get into the city a day earlier than I usually do and it was the best travel choice I’ve made in the last three years. Basel – two days before press day – was quiet and snowcapped and genuinely lovely.

A snowy pre-Baselworld Basel

What many don’t realize is that Basel is the third most populous city in Switzerland (behind Zürich and Geneva) and is historically significant for a variety of reasons, including that the first ever museum that showcased art to the public – the Kunst – happens to be located there. A word of advice, however: make sure you pronounce the name of the museum correctly to the local cab drivers. If not, well, it can be quite offensive. Or so I’ve heard.

And while I agree with many of my colleagues that some of the city’s restaurants raise their prices significantly while the fair is in town, I don’t find the rates to be all that different than touristy restaurants in San Francisco or on the strip in Las Vegas (how’s that forty-dollar martini at The Wynn working out for ya?). I’ve succumbed to the fact that Basel is pricey, but it’s a price I’m willing to pay once per year to be able to walk away with the information I’m given. Maybe it’s naïve, but I’m also still at the “you have to spend money to make money” stage of my career.

Wristies in action with Watch Anish

But first, Let Me Take a Wristie

Think about this for a minute… if you’re one of the handful of people who can afford to get yourself to Basel or who works for a company that will either partially or fully pay for your journey, you’re a rare breed, and Baselworld – for all of its quirks – can be quite an extraordinary experience if you allow yourself to get past the show’s lackluster Wi-Fi and lack of places to sit.

One click on the #Baselworld2018 hashtag on Instagram will pull up nearly 50,000 posts, with likely 90% of those being wrist shots, or “wristies”, which means you are amongst the watch-loving elite, and that means solid, interesting conversations, wristwatch comparisons, and potential selfies with celebrities like KISS drummer Eric Singer or Instagram sensation Anish Bhatt – aka @watchanish – who is always happy to take one.

It’s Like Living in a Benetton Ad!

The diversity of Baselworld is truly one of the show’s greatest attributes. Think of it like a trip to the United Nations but slightly less stuffy and with a lot more champagne and much nicer suits. The conversations being had leading up to the turnstiles alone are enough to make you think you’ve mistakenly woken up at the foot of The Tower of Babel, but that’s also the beauty of the show and proof that the world can come together in peace and harmony if we could just find something to love as a people; and in the case of Baselworld, that something just happens to be the Grand Seiko Hi-Beat 36000.

The Rolex “Swiss/American” dinner

Let’s Not Forget, “The Presence of Greatness”

I think the saddest part for me about some of the negativity I’ve read about Baselworld is that people out there are assuming what brands like Rolex and Patek Philippe want, or what they’re eventually going to do as it pertains to showing at the fair, and to be honest, I don’t believe anyone really knows. But as it stands right now, if you’re a retailer or a journalist or a collector, and you want to see the new releases as they come out from either of the aforementioned watch industry titans as well as many others, then finding a way to get yourself to Basel is what you’re going to have to do, at least, for now. If these brands aren’t complaining when they’re spending millions upon millions to be there, then why should we? They invite us out for dinners, let us hang out at their top-shelf-stacked bars inside of their beautifully-decorated booths and show us a grand ol’ time while showing us their brand-new timepieces (Pepsi GMT, anyone?), so who are we to say what they should do or what we would do if we were in their positions? I’m all for letting the big boys think for themselves, because after well over a hundred years of being in business, I’m fairly certain they know what they’re doing.

Les Trois Rois (The Three Kings) at night

Come on… Admit it… There’s Nothing Like Les Trois Rois

You can go ahead and build Geneva up all you want, but there is just something about being in a bar where you can barely move, breathe, or hear yourself think with 350 of your closest international friends. For me, Les Trois Rois is like a family reunion; with a twenty-plus-year background in jewelry sales, marketing, and media, I know almost all of the American jewelry retailers and buyers personally. But that also means I can’t move three inches in one direction without being recognized (at 5’10”, I’m pretty easy to spot), and that’s usually when the hugs, stories, and drinks start flowing.

This year I surprisingly stuck to a “one drink at the Three Kings” rule for myself and it worked out beautifully. That rule allowed me to be at the bar long enough to buy Luc Pettavino a beer, have a brief conversation with collector Gary Getz about what happened when I tried to buy Luc Pettavino a beer, and network one end of the bar to the other before bidding my friends a fond “auf wiedersehen/au revoir”. Regardless, it’s moments like those had at Les Trois Rois that separate our industry from so many of the others. We love watches, sure, but we mostly like the camaraderie that comes along with our love for watches (um, hello, RedBar anyone?) which is why the social aspect of Baselworld is just as important as the business one.

The orifice to end all orifices

In closing, I have no crystal ball, and I haven’t been doing this long enough to feel strongly enough one way or the other about whether or not Baselworld will be around in 2020, or 2030, or 2050. For now, what I do understand is that despite the cost, I come back from the fair knowing more than I did before I left for it, and as a writer who is learning as she goes, that – to me – is worth the price of admission.